Friday, May 09, 2014

EDITORYAL - Kulang sa aksiyon ang National Historical Inst.

Ngayon lang ngumangawa ang National His­torical Institute (NHI). Kung hindi pa binatikos nang binatikos ang maling tiyempo ng pagkaka-awit ni Martin Nievera sa “Lupang Hinirang” noong Linggo sa laban ni people’s champ Manny Pacquiao, hindi pa sila lalabas sa kanilang lungga at nganga­wa. Mali nga raw ang pagkakaawit ni Nievera sa “Lupang Hinirang”. Mabilis daw dapat ang tiyempo ng awit at hindi katulad ng ginawa ni Nievera na mabagal at sa dakong huli ay bumirit. Labag daw sa Republic Act No. 8491 o ang 1998 Flag and Heraldic Code of the Philippines ang rendition ni Nievera. Dapat daw ay mabilis o sa marching tone na talaga namang orihinal na ginawa ng kompositor na si Julian Felipe noong 1898.

Nakapagtataka lamang kung bakit ngayon la­mang pumiyok ang NHI gayung marami na ring nagkamaling singer habang inaawit ang “Lupang Hinirang” sa laban ni Pacquiao. May ilang singer din na binago ang rendition ng Pambansang Awit pero wala namang pagpiyok na ginawa ang NHI. Meron pa ngang singer na hindi alam ang kasunod ng linya ng awit. Halatang-halata ang pagkakamali. Ang masasabing maganda at tamang pagkakaawit ng “Lupang Hinirang” ay nang gawin ito ni Karylle noong Dec. 7, 2008 na laban ni Pacquiao at De La Hoya. Tamang-tama at suwabe ang tiyempo kaya naman nakasabay sa pagkanta ang mga Pinoy na nanood sa laban. Nang kantahin ni Nievera ang “Lupang Hinirang” wala ni isa mang nakasabay sapag­kat nagbago ang tiyempo.

Ang pagkakamali ni Nievera sa pag-awit ng “Lupang Hinirang’’ nagdulot sa kanya nang maraming problema sapagkat sabi ng mga mambabatas, balak nilang kasuhan ang singer. Isa raw itong pambabastos. Pero kung masyadong mabagsik ang mga mambabatas kay Nievera, dapat din namang magpakita sila ng kabagsikan sa mga taga-NHI na walang ginagawa para maproteksiyunan ang Pambansang Awit sa mga bumabastos dito. Hindi lamang ang “Lupang Hinirang” ang nasasalaula kun­di pati na rin ang watawat na kahit gula-gulanit na ay hinahayaan pa ring nakawagayway. Ang NHI sa palagay namin ang dapat kastiguhin dito sapag­kat sila ang nagkulang sa aksiyon.

Can't sing anthem? Pacman will do it

Next time around, Manny Pacquiao might just sing it himself.

Amid the hullabaloo stirred by what many consider an improper rendition of the national anthem by Martin Nievera before the Pacquiao-Hatton bout last May 3, the Filipino boxing idol said he is willing to sing the national anthem “Lupang Hinirang” in his next fight.

“Pwede naman siguro ‘yun (That’s possible) next time… next fight,” a beaming Pacquiao said.

The different versions of the national anthem sung in every Pacquiao bout have drawn varying degrees of post-fight criticism.

Pacquiao has music albums as well as an acting contract with GMA-7. His first album includes hits like “Para Sa’yo Ang Laban na ‘to” and “Pac-Man Punch.” His recent release was a “fight song” called “Lahing Pinoy.”

The people’s champ defended Nievera, saying critics should not have singled him out.

“Yung mga nagpupuna dyan naman mga sumasakay lang eh, mga KSP ba… mga kulang sa pansin (Those critics are just jumping on the bandwagon. They just want attention),” Pacquiao said.

The National Historical Institute (NHI), the Cebu provincial board as well as some lawmakers have criticized Nievera’s interpretation of the national anthem.

The provincial board of Cebu reportedly passed a resolution condemning Nievera’s version of the Lupang Hinirang, claiming he violated Republic Act 8491, or the 1998 Flag and Heraldic Code of the Philippines, by allegedly “murdering” the national anthem.

Nievera has refused to apologize “for something I’m not sorry for.”

Other Filipino music artists like Charice Pempengco have expressed willingness to sing the national anthem in the next match of Pacquiao, possibly in October, against Floyd Mayweather Jr. or Juan Manuel Marquez.

The NHI meanwhile sought the help of the Office of the Solicitor General (OSG) in determining if there are grounds for the filing of charges against Nievera.

“We have already given the letter to them to hear their recommendations,” said NHI’s Teddy Atienza at the No Holds Barred forum at the National Press Club.

“Personally, I saw the intention to change or alter the law. We believe that there is evidence such as the statement of Ryan Cayabyab,” he said. Cayabyab had reportedly warned Nievera against changing the melody of the national anthem.

The NHI also pointed out that Nievera was wearing a Philippine flag-like earpiece which had the wrong color arrangement. NHI said the left side of the flag should be blue, while the red should be on the right side of the earpiece.

“My idea is that it would be better if we apply persuasion rather than punishment,” said Bayan Muna’s Rep. Teddy Casiño.

“Schools must make sure that their students memorize by heart our national anthem and that they know how to sing it properly,” Education Secretary Jesli Lapus said. With Rainier Allan Ronda and Evelyn Macairan

http://www.philstar.com/news-feature/465418/cant-sing-anthem-pacman-will-do-it

Can't sing anthem? Pacman will do it

Next time around, Manny Pacquiao might just sing it himself.

Amid the hullabaloo stirred by what many consider an improper rendition of the national anthem by Martin Nievera before the Pacquiao-Hatton bout last May 3, the Filipino boxing idol said he is willing to sing the national anthem “Lupang Hinirang” in his next fight.

“Pwede naman siguro ‘yun (That’s possible) next time… next fight,” a beaming Pacquiao said.

The different versions of the national anthem sung in every Pacquiao bout have drawn varying degrees of post-fight criticism.

Pacquiao has music albums as well as an acting contract with GMA-7. His first album includes hits like “Para Sa’yo Ang Laban na ‘to” and “Pac-Man Punch.” His recent release was a “fight song” called “Lahing Pinoy.”

The people’s champ defended Nievera, saying critics should not have singled him out.

“Yung mga nagpupuna dyan naman mga sumasakay lang eh, mga KSP ba… mga kulang sa pansin (Those critics are just jumping on the bandwagon. They just want attention),” Pacquiao said.

The National Historical Institute (NHI), the Cebu provincial board as well as some lawmakers have criticized Nievera’s interpretation of the national anthem.

The provincial board of Cebu reportedly passed a resolution condemning Nievera’s version of the Lupang Hinirang, claiming he violated Republic Act 8491, or the 1998 Flag and Heraldic Code of the Philippines, by allegedly “murdering” the national anthem.

Nievera has refused to apologize “for something I’m not sorry for.”

Other Filipino music artists like Charice Pempengco have expressed willingness to sing the national anthem in the next match of Pacquiao, possibly in October, against Floyd Mayweather Jr. or Juan Manuel Marquez.

The NHI meanwhile sought the help of the Office of the Solicitor General (OSG) in determining if there are grounds for the filing of charges against Nievera.

“We have already given the letter to them to hear their recommendations,” said NHI’s Teddy Atienza at the No Holds Barred forum at the National Press Club.

“Personally, I saw the intention to change or alter the law. We believe that there is evidence such as the statement of Ryan Cayabyab,” he said. Cayabyab had reportedly warned Nievera against changing the melody of the national anthem.

The NHI also pointed out that Nievera was wearing a Philippine flag-like earpiece which had the wrong color arrangement. NHI said the left side of the flag should be blue, while the red should be on the right side of the earpiece.

“My idea is that it would be better if we apply persuasion rather than punishment,” said Bayan Muna’s Rep. Teddy Casiño.

“Schools must make sure that their students memorize by heart our national anthem and that they know how to sing it properly,” Education Secretary Jesli Lapus said. With Rainier Allan Ronda and Evelyn Macairan

Monday, June 10, 2013

House panel issues show cause order vs. SEC for Multiply shutdown

The House Committee on Legislative Franchises has issued a show cause order against officials of the Securities and Exchange Commission (SEC) to explain why they should not be cited in contempt for directing Multiply to cease its business operations.

The order, dated May 31, directs SEC officials to provide an explanation for its issuance of a closure order against the website despite its earlier commitment to provide a provisional authority allowing Multiply to continue operations until such time that the Congress has made a decision on the website’s application.

The show cause order was received by the SEC only on Monday. It was addressed to SEC Commissioner Manuel Gaite, Deputy Commissioner Kelvin Lester K. Lee, Deputy Commissioner Delilah Deles, and Legal Branch head Ella Blanca Lopez.

“The act of the SEC constitutes undue interference on and disobedience to the exercise of the power of the House of Representatives, and therefore, an affront to its dignity and an inexcusable disrespect of its authority,” the order read.

“Your failure to comply with this Order within the period prescribed will result in a finding against you for contempt of the House of Representatives and subject you to other actions that are within the powers of the House of Representatives to enforce,” it added.

Multiply on Thursday urged SC to nullify and set aside the SEC’s order, claiming that the commission “gravely abused its discretion” when it issued a cease and desist order.

It also argued that NTC’s order “violates the right of the public to information and curtail freedom of speech, as well as cause serious and irreparable damage on Multiply and thousands of its employees if its implementation is not halted.”

Saturday, December 01, 2012

Eat's Tito, Vic and Joey

My problem is I am writing this piece from the point of view of a fan. Having said that, I risk myself being stamped as subjective – which is part of what being a fan is all about – with this article. With a disclaimer, I will write about the idols of my youth by distancing from the third person vantage point. So, the “I”, “Me” and “Myself” meet Tito, Vic and Joey of the Eat Bulaga fame.

“It’s flattering to hear that. Thank you. Actually, we still get flattered when someone tells us that he or she is a fan of ours from long way back,” says former senator Tito Sotto as he talks to me on one side of the stage while waiting for his turn to enter center stage to host a segment.

“I was only seven years old when I first ‘met’ you, Vic Sotto and Joey de Leon in our neighbor’s black and white TV set. Your show is 28 years old now. Eat Bulaga then was on Channel 9. I knew your show was on Channel 9 because that was the only station that showed the ‘digital’ time,” I tell him, albeit in a hush, while offering to sing the original Eat Bulaga theme song.
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I grew up watching Eat Bulaga. The company of Tito, Vic and Joey has kept me laughing my head off since I was in grade school up to college. Like a hard habit to break, I am still hooked on it as the talented and innovative variety show hosts have never lost their grip on the audience – even if they have changed home stations three times since 1979. Eat Bulaga was in RPN-9 from 1979 to 1989, ABS-CBN from 1989 to 1995 and GMA 7 from 1995 to present.

“What’s our secret?” Joey repeats my question on the key to TVJ’s staying power, pondering on my query as he leads me to the holding area of the stars. “Ahh… our secret is lahat kami chismoso (We all love to gossip).” Then he grins.

Joey, among the three, is the most vocal of his emotions. He’s famous for his being pilyo (naughty) which all the more endears him to Eat Bulaga viewers. In August this year, he got himself entangled in a word war with Willie Revillame, host of Wowowee, a rival show. The altercation started when an alleged game rigging happened in the “Wilyonaryo” portion of Wowowee. The unstoppable Joey questioned the reported scam via his ubiquitous snide remarks on air. Willie criticized Joey via a long valedictory about the latter’s frequent attacks on his show. Joey counterattacked, advising Willie: “Explain before you complain.” (The “Wilyonaryo” controversy, which made it to YouTube already, was later on explained to have occurred due to a technical glitch.) Joey even managed to jovially call on the lawmakers to conduct an investigation about the matter.

Some members of the Senate seemed to capitalize on the issue at first by proposing an inquiry on the alleged game rigging of Wowowee. Somewhere along the way, the Senate had decided to leave the issue unanswered. But Joey was unrelenting. He may have kept mum on the issue but started wearing “communicative” shirts that aired his sentiments against the rival show.

In mid-September, he took a leave of absence from GMA’s Saturday talk show Startalk after the MTRCB allegedly issued a directive to the network to stop Joey from spewing catty remarks against Willie and his show. Other reports also said that some GMA executives also “prohibited” Joey from wearing shirts that bore attacking messages. Some also said that he was asked to refrain from making hand gestures that pertain to the said scam. Joey has returned to Startalk in October but it is still unclear whether or not the alleged “Wilyonaryo” scam is already a closed book.

A brotherhood of three

“Our secret is we know how to respect each other. Even if we don’t discuss it, we know exactly who will shine in this and that segment,” shares Vic. He adds that part of effective hosting is in fully knowing how to make your co-host shine. And that skill, obviously, comes naturally and effortlessly for the three of them.

Vic started his career as a folk singer and guitarist. Showbiz insiders say that when Vic Sotto was starting in show business, he was very hot as a boheme lead vocalist of the VST & Company. He’s responsible for classic hits like “Ipagpatawad Mo,” “Rock Baby Rock” and my personal favorite, “Awitin Mo, Isasayaw Ko.”

“In the early ‘70s, I joined my two brothers, Tito and Val, in a gag show called OK Lang in IBC 13,” Vic recalls. Also included in the show were Ricky Manalo Jr. and the APO Hiking Society. It was at this juncture that the OK Lang hosts were joined by Joey.

Of all the hosts, the rapport among Tito, Vic and Joey was felt by the audience who were left in stitches by the trio’s proclivity for their gooey jokes.

“In the mid-‘70s,” Joey recalls, “I became part of GMA’s Discorama hosted by Bobby Ledesma. When Bobby went on a vacation, I invited the Sotto brothers to join me in the show.” Only Tito and Vic joined him. That moment galvanized the brotherhood among the three. Together, the just-formed triumvirate started doing parodies in the show. “We did comedy newscast segments mixed with wacky and crazy interpretations of Top 40 hit songs,” Joey adds.

“And let it be said that we started doing hilarious interpretations of different songs from the made-up lyrics written by Joey de Leon,” says Tito Sen, himself famous for composing “Magkaisa,” considered the anthem of the 1986 People Power Revolution.

The trio also became part of Bobby Ledesma’s noontime show Student Canteen. It can be said that Discorama and Student Canteen were responsible for catapulting the hilarious antics of TVJ. But let it also be known that what paved the way for the troika’s star to shine its brightest was when they did the sitcom Iskul Bukol in the late ‘70s. One good thing led to another. Soon after, offers started arriving left and right. In 1979, Eat Bulaga was born. The trio was such a hit that they also made many movies together.

Eat’s all in the name

Joey tells me he coined the phrase “Eat Bulaga.” “Bulaga” is the Tagalog slang for “surprise.” The word “Eat” was coined for the simple reason that the show would be on the noontime spot, the time when most people are eating their lunch.

“You see, it doesn’t have that deep a meaning to it,” Joey says when I probe deeper as to the explanation of the name Eat Bulaga. Perhaps the deeper meaning of the title of the show is in the font used in writing Eat Bulaga. Sounding like a feng shui expert, Joey explains that Eat Bulaga is nine letters in all. “Nine is a lucky number that’s why there’s ‘Lucky 9’,” he says.

“And if you look closely at every letter of Eat Bulaga,” he says while drawing the original and existing font of Eat Bulaga in my notebook, “you will notice that, save for letters “t” and “l,” all the other letters somehow resemble the number 9. Notice also that the letter “l” is written like number “1.” So wonder no more if Eat Bulaga is Number 1. It’s clearly written in their name.

As for the “t,” Joey does not say. He leaves it to my imagination. I think the letter “t,” which was drawn like a cross, symbolizes the trio’s faith – their faith that in time they would be Number 1. They were correct.

But in the beginning, it was an uphill climb for Eat Bulaga especially so because it was pitted against the then strong leading noontime show Student Canteen which they were once part of. But Tito, Vic and Joey just continued cracking jokes until they cracked open the opportunity to topple Student Canteen in the ratings game.

I risk sounding like a broken record but I will repeat: Tito, Vic and Joey have never lost their grip on the audience. Of the more than 18 shows pitted against them, only two have managed to remain alive. It appears to be a Herculean task for their existing competitors to outdo or outwit the trio’s show. After all, Eat Bulaga is the longest running variety show on Philippine television. If this fact and the numerous awards and accolades the show has received from award-giving bodies are not enough to make it land in entertainment history books, what else will? Did I mention that Eat Bulaga’s 25th anniversary special won as the Best Entertainment (One-Off/Annual) Special Award at the 10th Asian TV awards held in Singapore? This particular award is the most notable because it beat big entries like MTV’s “Tsunami Aid Special.”

In its 38 years, Eat Bulaga has also become the launching pad of many stars like Alden Richards, Maine Mendoza, Aiza Seguerra and Jericho Rosales to find their own starry niche in tinsel town. The show is also a purveyor of concepts and trends in noontime programming. Included here are talent searches like “Miss Millennial Philippines 2017”, “Little Miss Philippines,” “Mister Pogi,” “Macho Men,” “Palengke Queen,” “Maid in the Philippines” and “Super Sireyna.” Because the show is dynamic and pulsating, it has also served as a “home” in the past to about 200 co-hosts of Tito, Vic and Joey. In my book, my favorite past co-hosts of TVJ include Chiqui Hollman (she and Richie D’ Horsie were the original co-hosts in 1979), Coney Reyes and the late Rio Diaz for their effortless wit and spunk.
  1. Jimmy Santos (1981–present)
  2. Ruby Rodriguez (1991–present)
  3. Allan K. (1995–present)
  4. Jose Manalo (1995–present)
  5. Anjo Yllana (1998–present)
  6. Wally Bayola (2000–present)
  7. Paolo Ballesteros (2001–present)
  8. Pia Guanio (2004–present Hiatus - Maternity)
  9. Pauleen Luna (2005–present)
  10. Ryan Agoncillo (2009–present)
  11. Ryzza Mae Dizon (2012–present)
  12. Baste (2015–present)
  13. Alden Richards (2015–present)
  14. Maine Mendoza (2015–present)
  15. Patricia Tumulak (2015–present)
  16. Sinon Loresca (2016–present)
  17. Taki Saito (2016–present)
  18. Luane Dy (2017–present)
  19. Ruffa Gutierrez (1995–1998, 2017–present)
  20. Boobay (2016, Kalyeserye's Yaya Pak, 2017–present, Mother Goose, Quiz Vee segment)
  21. Teri Onor (2002–2007, 2017–present, Mother Goose, Quiz Vee segment)
  22. Aicelle Santos (2015–2017)
  23. Aiko Melendez (1989–1995)
  24. Ai-Ai delas Alas (1995–2000, 2015–2016, Kalyeserye's Lola Babah)
  25. Aileen Damiles
  26. Aiza Seguerra (1987–1997)
  27. Aji Estornino (2002)
  28. Alfie Lorenzo
  29. Alina Bogdanova (2015–2016)
  30. Ali Sotto (1993–1994)
  31. Alicia Mayer (2004–2006)
  32. Amy Perez (1988–1989)
  33. Ana Marie Craig (1996)
  34. Angela Luz (1989–1995)
  35. Angelu de Leon
  36. Anne Curtis (2004)
  37. Ariana Barouk (2008)
  38. Ariani Nogueira (2007)
  39. Arnold Clavio (2003)
  40. Atong Redillas (early 1990s)
  41. BJ Forbes (2005–2008)
  42. Bababoom Girls (2009–2010)
  43. Babyface (2005)
  44. Bea Bueno
  45. Bessie Badilla
  46. The Bernardos (2015-2016)
  47. Bobby Andrews
  48. Bobby Madubike (2015-2016)
  49. Bonitos (Group) (2009, 2014 Kakaibang Bida segment)
  50. Boom Boom Pow Boys (2009–2013)
  51. Boy Katawan (2011–2013)
  52. Camille Ocampo (1998–2001)
  53. Carmina Villaroel (1989–1995)
  54. Ces Quesada (1989–1996)
  55. Chiqui Hollman (1979–1981)
  56. Chia Hollman (2010–2011)
  57. Chris Tsuper (2015–2016)
  58. Christelle Abello (2015, Doktora Dora de Explorer's assistant, Problem Solving segment)
  59. Christine Jacob (1989–1998)
  60. Ciara Sotto (2004–2012)
  61. Cindy Kurleto (2006–2007)
  62. Cogie Domingo (2001)
  63. Coney Reyes (1982–1995)
  64. Daiana Menezes (2007–2012)
  65. Danilo Barrios (1996)
  66. Dasuri Choi (2014, 2016)
  67. Dawn Zulueta
  68. Debraliz Valasote (1979-1982)
  69. Derek Ramsay (2001–2004)
  70. Diana Zubiri (2003–2005)
  71. Dindin Llarena (1999–2001)
  72. Dingdong Avanzado (1987–1988)
  73. Dingdong Dantes the Impersonator (2001–2003)
  74. Donita Rose (1996–1997, 2002–2003)
  75. Donna Cruz (1995–1998)
  76. Edgar Allan Guzman (2006-2007)
  77. Eileen Macapagal (1980s)
  78. Eisen Bayubay (2001)
  79. Eric Quizon (1992–1993, 1996)
  80. Felipe Tauro (mid-1990s, Alaxan Gladiators referee)
  81. Francis Magalona† (1997–2008)
  82. Fire (Ana Rivera & Soraya Sinsuat) (1995–1997)
  83. Gabby Abshire (2012)
  84. Gemma Fitzgerald (2000–2002)
  85. Gladys Guevarra (1999–2007)
  86. Gretchen Barretto (1993)
  87. Heart Evangelista (2013)
  88. Helen Gamboa (1985–1986)
  89. Helen Vela† (1986–1991)
  90. Herbert Bautista (1989–1992)
  91. Ho and Ha (2007–2012)
  92. Illac Diaz (1997–1998)
  93. Inday Garutay (1995–1997)
  94. Isabel Granada
  95. Isabelle Daza (2011–2014)
  96. Iza Calzado (2011–2012)
  97. Jaime Garchitorena (1991–1993)
  98. Janice de Belen (early 1990s)
  99. Janna Tee (2015, Doktora Dora de Explorer's assistant, Problem Solving segment)
  100. Janno Gibbs (2001–2007)
  101. Jaya (1997–2001)
  102. Jenny Syquia (1997)
  103. Jericho Rosales (1996–1997)
  104. Jessa Zaragoza
  105. John Edric Ulang (2012–2015)
  106. Jomari Yllana (2000)
  107. John Prats
  108. Joyce Jimenez (2001–2002)
  109. Joyce Pring (2014, 2016)
  110. Jude Matthew Servilla (2009–2010)
  111. Julia Clarete (2005–2016)
  112. K Brosas (2001–2003)
  113. Kevin (1990–1995)
  114. Keempee de Leon (1989–2016)
  115. Kim Idol (2008–2010)
  116. Kitty Girls (2009)
  117. Kris Aquino (1988–1989)
  118. Kristine Florendo (1998–2000)
  119. Kurimaw Boyz (2001-2005)
  120. Lady Lee (1992–1997)
  121. Lalaine Edson (2000)
  122. Lana Asanin (1999–2000)
  123. Lana Jalosjos (a.k.a. Lana J. or Svetlana) (2004–2006)
  124. Lance Serrano (2013)
  125. Lani Mercado (1989–1990)
  126. Leila Kuzma (2002–2004)
  127. Leonard Obal (mid 1990s)
  128. Lindsay Custodio (1998)
  129. Los Viajeros [Pedro, Eduardo & Diego] (2013–2015)
  130. Lougee Basabas (2007–2009)
  131. Macho Men Dancers (1980–1983)
  132. Jinky "Madam Kilay" Anderson (2017)
  133. Manny Distor† (1998–1999)
  134. Manilyn Reynes (1985–1990)
  135. Marian Rivera (2014–2015, 2016-2017)
  136. Maricel Soriano (1985–1987, 1995–1996)
  137. Mark Ariel Fresco (2006–2007)
  138. Marvin Valdoria
  139. Mausi Wohlfarth (1998–1999)
  140. Michael V. (2003–2016)
  141. Michelle van Eimeren (1994)
  142. Mickey Ferriols (1996–2000)
  143. Mike Zerrudo (1998–1999)
  144. Mikee Cojuangco-Jaworski (1994)
  145. Millet Advincula (1990s)
  146. Mitoy Yonting (1997, 2006–2009)
  147. Mr. Fu (2008–2011)
  148. Nadine Schmidt (2002–2009)
  149. Nicole Hyala (2015–2016)
  150. Niño Muhlach (early 1990s)
  151. Nova Villa (1989–1995)
  152. Ogie Alcasid (1988–1989)
  153. Onemig Bondoc (1996–1997)
  154. Patani Daño (2008, 2013)
  155. Pepe Pimentel† (1980s)
  156. Phoemela Barranda (2001–2002)
  157. Plinky Recto (1989–1992)
  158. Pops Fernandez (1987–1988)
  159. Priscilla Monteyro (2009–2010)
  160. The Quandos (2015–2016)
  161. Rachel Ann Wolf
  162. Rading Carlos† (1980s)
  163. Randy Santiago (mid 1990s)
  164. Rannie Raymundo (1993)
  165. Rey de la Cruz† (1980s)
  166. Rey Pumaloy (1995–1999, Aminin segment)
  167. Richard Hwan (2014, 2016)
  168. Ritchie D'Horsie (Richie Reyes)† (1979–1996)
  169. Rio Diaz† (1990–1996)
  170. Robert Em† (1996–1998)
  171. Robert Ortega
  172. Robin da Roza (1997–1998)
  173. Rosanna Roces (1998)
  174. Ryan Julio (2006–2007)
  175. Sam Y.G. (2009–2014)
  176. Samantha "Gracia" Lopez (1994–1997)
  177. Sharmaine Suarez
  178. Sharon Cuneta (1983–1984)
  179. Sherilyn Reyes (1999–2002)
  180. Shine Kuk (2014, 2016)
  181. Sheryl Cruz (1985–1989, 1990–1995)
  182. Solenn Heussaff (2012)
  183. Stefanie Walmsley
  184. Steven Claude Goyong (1999–2000)
  185. Streetboys (1990s)
  186. Sugar Mercado (2001–2002, 2004–2007)
  187. Sunshine Cruz (1995–1996)
  188. Sunshine Dizon
  189. Tania Paulsen (2003)
  190. Tessie Tomas (1981–1987)
  191. Tetchie Agbayani (1980s)
  192. Toni Gonzaga (2002–2005)
  193. Toni Rose Gayda (1995–2014)
  194. Tuck-In Boys (2015)
  195. Twinky (Virtual host) (2006–2008, 2009)
  196. Vanessa Matsunaga (2013)
  197. Vanna Vanna (1995–1997)
  198. Valentin Simon (1997–2000)
  199. Valerie Weigmann (2013–2014)
  200. Vina Morales
  201. Zoren Legaspi (1985-1995)
The Eat Bulaga family now has more than 20 witty and funny co-hosts, proof, indeed, as the jingle of the show says, that in Eat Bulaga “barkada’y dumarami, silang lahat ay nagbibigay, ligaya sa ating buhay (the gang is increasing, they are all giving, joy in our lives).” It also similar the to the lyrics of Sineskwela's theme song says “kinabukasan ng ating bayan ay siguradong makakamtan (the future of our country is sure to be achieved).”

And together, they shower their audience with “saan ka man ay halina kayo, isang libo’t isang tuwa, buong bansa (wherever you will let you, a thousand and one joys for the whole nation),” be it in the “Bulagaan” or “Itaktak Mo” portion.

Looking back, the mirthful trio of Eat Bulaga can only be thankful for the success of their noontime show. Tito, Vic and Joey are what hilarious madness has made them – whole, complete and free in making their audience happy. I think that’s their secret to success. And that analysis is coming from a big fan like me.

Wednesday, September 26, 2012

Si Kyla ang aawit ng Lupang Hinirang sa Pacquiao-Barrera 2

Matapos sina Jennifer Bautista at Geneva Cruz, ang R&B Princess namang si Kyla ang aagaw ng eksena sa pagkanta ng pambansang awit sa Manny Pacquiao-Marco Antonio Barrera rematch sa Oktubre 6 sa Mandalay Bay Resort and Casino sa Las Vegas, Nevada.

“I am greatly honored na ako ang napili sa mga nag-audition,” wika ni Kyla.

Ang 26-anyos na si Kyla ang naging panauhin sa huling press conference ni Pacquiao sa The Fort noong Sabado kasama si Jonalyn Viray.

“Manny was happy with Kyla’s performance when she sang at the send-off party held for him by Solar and GMA last Saturday,” wika ng isang opisyal ng GMA-7, katuwang ng Solar Sports na magha-handog ng Pacquiao-Barrera II mula sa Las Vegas.

Si Kyla ang tanging female local artists na nanalo sa bigating MTV Video Music Awards noong 2001 bilang Southeast Asian Viewers Choice Awardee kasama ang dalawang OPM bands na Eraserheads at Parokya Ni Edgar.

Ang pagkanta ni Kyla sa Pacquiao-Barrera II ang inaasahang lilimot sa pag-piyok ni Bautista sa Pacquiao-Erik Morales III sa Las Vegas noong 2006, ang pag-iiba ng tono ni Cruz sa national anthem sa Pacquiao-Jorge Solis fight sa Alamodome sa San Antonio noong Abril at ang pagkalimot ni Christian Bautista sa ilang lyrics sa exhibition match nina Gerry Peñalosa at Bernabe Concepcion nitong Setyembre 16 sa Metropolis Mall sa Alabang. (Russell Cadayona)

http://www.philstar.com/palaro/16436/si-kyla-ang-aawit-ng-%E2%80%98lupang-hinirang%E2%80%99-sa-pacquiao-barrera-2

Thursday, May 12, 2011

Albert, Arum asked to appear at Manila court

The lawyer-president of the United Nations National Anthem Foundation has asked a Manila regional trial court judge to order Brazilian composer-arranger Morris Albert and his co-defendant Bob Arum, manager of world boxing champ Sarangani Rep. Manny Pacquiao, to bring the original copy of the “bastardized version” of the National Anthem before the court on May 20.


Lawyer Crisanto Soldevilla Cornejo filed on May 6 with Manila RTC Presiding Judge Dinnah Agulla-Topacio “A Supplemental and Reiterating Very Urgent Motion” for the issuance of subpoena through the Brazilian embassy in Manila, directing Albert and Arum to appear in court at 2 p.m. on May 20.


In the two-page motion, Cornejo urged the court to direct Albert and Arum to answer the amended complaint together with the Kapisanan ng mga Brodkaster sa Pilipinas (KBP) and other five defendants who bastardized and violated the country’s National Anthem, “Lupang Hinirang.” Cornejo also asked the court to resolve the motion to dismiss filed by the Office of the Solicitor General and the motion to cite in contempt of court the officers and counsel of KBP for misleading the court that 10,000 copies of the CD that five pop-singers bastardized were already in the custody of the National Library.


The KBP counsel earlier testified in court that 10,000 CDs were already deposited in the National Library. He called on the court to issue subpoena duces tecum against Albert and Arum who were mandated by the court to appear in the continuation of the trial of the case on May 20 and June 3.


He said Albert and Arum should show cause why they should not be cited in contempt of court or “as soon thereafter as Court may schedule the trial dates addressed to the Office of Brazilian ambassador to the Philippines-His Excellency Alcides Gastao Rostand Prates, embassy of the Federative Republic of Brazil.


Bastardized version

Cornejo said he filed their latest motion in behalf of the Philippine Historical Commission, also named as a plaintiff in the case which was included by the judge in the list of cases for Judicial Dispute Resolution.


Supreme Court Chief Justice Renato Corona, also president of the National Historical Institute, was furnished a copy of the “very urgent motion.” The alleged “bastardized” version of Lupang Hinirang was sang by Martin Nievera at the start of the bout between Pacquiao and Ricky Hatton at the MGM Grand Garden Arena in Las Vegas on May 3, 2009.


In objecting to Nievera’s rendition of the Philippine National Anthem, the NHI cited Section 37 of Republic Act (RA) No. 8491 (1998 Flag and Heraldic Code of the Philippines) which provides that “the rendition of the National Anthem, whether played or sung, shall be in accordance with the musical arrangement and composition of Julian Felipe.”


Felipe is the original music arranger of Lupang Hinirang in 1898. It has tune of march and the lyrics was adapted from the Spanish poem “Filipinas” written by Jose Palma only in 1899.


The NHI, in coordination with the proper government agency, shall disseminate an official music score sheet that reflects the manner in which the national anthem should be played or sung.


When the national anthem is played, the public is required to sing and do so “with fervor.”

They are expected to sing while the right hand is placed over the left chest. Uniformed personnel, meanwhile, are to salute the flag as prescribed by their respective regulations.

Individuals whose faith prohibit them from singing “Lupang Hinirang” must still show full respect.

The national anthem, however, would not be allowed to be played and sung preceding “events of recreation, amusement, or entertainment purposes.”


But the anthem may be played during the following: international competitions where the Philippines is the host or has a representative; national and local sports competitions, during the “signing off” and “signing on” of radio broadcasting and television stations, before the initial and last screening of films and before the opening of theater performances; Provided, that the owners and management of the establishments shall be mandated to enforce proper decorum and implement the pertinent provisions of this act; civic activities, cultural shows or presentations and other occasions as may be allowed by the NHI.

The Oath of Patriotism (Panatang Makabayan) must be recited after the singing of the national anthem in basic educational institutions. The Pledge of Allegiance (Panunumpa ng Katapatan sa Watawat ng Pilipinas) may be recited as well, though the law did not specify who is required to do so.

In Section 20 of the law states: “The observance of the flag ceremony in official or civic gatherings shall be simple and dignified and shall include the playing and mandatory singing of the national anthem in its original Filipino lyrics and march tempo.”

When Nievera belted out Lupang Hinirang, it started slowly, took on a martial beat in the middle, then finally ended on a sustained high note.

The same law punishes failure or refusal to observe the provisions of the code with public censure, “which shall be published at least once in a newspaper of general circulation. The guilty person may be fined up to P 5,000 or imprisoned for not more than a year, or “be meted with both penalties, at the discretion of the court.”


All citizens to stand at attention and sing with fervor, as a sign of respect, when the National Anthem is played at public gatherings.

Even moviegoers who do not stand up when the National Anthem is being played in cinemas will be sanctioned, as it empowers the security personnel and ushers in movie houses to arrest a violator and summon law enforcement officers to assist in conducting citizens' arrest.

But Nievera has maintained he did nothing wrong, and he is unrepentant. He insisted he interpreted the song the way he “understood” it.

The NHI has also slammed the performance by Sarah Geronimo, Lani Misalucha and Bituin Escalante of “Lupang Hinirang” during the past boxing bouts of the number one pound-for-pound fighter in the world.

In October last year, the House of Representatives approves House Bill Number 465 or “An Act Prescribing the Code of the National Flag, Anthem, Motto, Coat-of-Arms and other Heraldic Items and Devices of the Philippines.”

Under the measure, a P 100,000 fine and two-year imprisonment await a performer who will deviate from the official musical arrangement of “Lupang Hinirang” as composed by Julian Felipe.

“Lupang Hinirang” should be sung in a marching-type tempo, within the range of 100 to 120 metronome, in 4/4 beat and 2/4 beat when played, the bill said.

Aside from the National Anthem, the bill — a consolation of House Bills 603 and 465 — also seeks to protect the Philippine flag and other heraldic items of the country.


http://www.philstar.com/metro/684720/albert-arum-asked-appear-manila-court

Friday, February 25, 2011

PASA holds national youth swim trials

The Philippine Aquatics Sports Association in coordination with the City of Makati will hold the National Youth Swim Team Selection Trials or NYTEST starting today at the Makati Aquatic Center.

The three-day meet is being held as part of the series of qualification tournaments in forming a team that would compete in several international tournaments including the Arafura Games in Darwin, Australia this May.

The top performers will also get the chance to represent the country in the Southeast Asian Age Group Swimming Championships in Vietnam in June as well as the Asian Age Group Swimming Championships in Indonesia in September.

PASA president Mark Joseph said a record 319 entries coming from all over the country have registered in the qualifying meet seeking slots in the national squad.

“The NYTEST will also give new young swimmers a chance to be discovered for the SEA Games to replace the national championships as well as serve as role models just like James and Robert Walsh, who have graduated now entering medical and law school,” said Joseph, who is also the Philippine Olympic Committee deputy secretary-general.

Joseph also said the event will coincide with Makati City’s annual Caracol Fiesta as well as the original People Power Revolution, which celebrates its 25th year anniversary.

“We also find the opening day auspicious because it’s the same day that we celebrate 25 years since Edsa 1,” said Joseph.

https://www.philstar.com/sports/2011/02/25/660412/pasa-holds-national-youth-swim-trials

Pagtuklas sa bagong talento paiigtingin ng PASA

Paiigtingin ng Philippine Aquatics Swimming Association (PASA) ang pagtuklas ng mga bagong mukha para sa Pambansang koponan.

Sa pakikipagtulungan sa Siyudad ng Makati ay magdaraos ng tryouts ang PASA sa mga manlalangoy mula edad 11 hanggang 18 sa isasagawang National Youth Swim Team selection of NYTEST.

Ang kaganapan na isasabay sa pagdiriwang ng Caracol Fiesta sa Makati City ay itinakda mula Pebrero 25 hanggang 27 at gagawin ito sa Makati Aquatic Center.

Makulay ang pagbubukas dahil ito ay nasasabay sa paggunita ng Edsa I anniversary na kung saan isinese­lebra ang ika-25th taon ng People Power.

“We find the opening day auspicious because it’s the same day that we celebrate 25 years since EDSA I,” wika ni Joseph.

Higit dito, ang masilayan ang mga batang manlala­ngoy edad 11 hanggang 18 ang isa sa nakakapanabik ani ni Joseph dahil sa hanay na ito lalabas ang mga papalit sa kasalukuyang pambatong swimmers ng bansa.

Ang mga lalabas na mahuhusay na manlalangoy sa tatlong kompetisyong ito ay posible ring masama naman sa 26th SEA Games sa Indonesia sa Nobyembre 11.

Inaasahang maraming bagong mukha ang masasama sa swimming delegation sa SEAG matapos ang pag­reretiro na ni 2007 Best Male Athlete Miguel Molina at ang posibilidad na di na paglangoy ng magkapatid na sina Robert at James Walsh na abala na sa kanilang pag-aaral.

https://www.philstar.com/palaro/2011/02/25/660268/pagtuklas-sa-bagong-talento-paiigtingin-ng-pasa

Tuesday, October 05, 2010

Sapul Talo o Panalo: Ang "makulong" nang dahil sa'yo...


Mula sa Front Act segment Tambytes sponsored by Orocan: "Ano ang pamagat ng pambansang awit ng Pilipinas?" at Sapul segment Talo o Panalo report "Ang "makulong" nang dahil sa'yo..."

Warning sa mga mahilig bumirit ng sariling niyang bersyon ng Lupang Hinirang, aprubado na sa kamara ang panukalang batas na nagpapataw na parusa sa maling pagkanta ng ating pambansang awit. Sinong sino ang mga sasapul ng batas na ito. Narito ang report ni Ronnie Azurin. Sapul, Martes, Oktubre 5, 2010